Damnable Tales: A Folk Horror Anthology

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Damnable Tales: A Folk Horror Anthology

Damnable Tales: A Folk Horror Anthology

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And the rest of the stories? Dull and mediocre at best. And not in anyway horrific. I feel that the editors idea of what Folk Horror is, is vastly different to mine. In one of the gentler tales, a fusty, puritanical vicar is taught a lesson when a mysterious (or not) stranger appears one… Here's my latest lino print for Damnable Tales. This time, it's Fiona Macloed's tale The Sin-Eater, first published in the collection ‘The Sin-Eater, and Other Tales’, 1895. Most of these stories were written by English authors and I basically learned that the scariest place to them was the moors and the scariest people were the Scots. Here’s Damnable Tales lino print 20 of 23. This time, it’s for Walter de la Mare’s tale ‘All Hallows’, first published in the collection The Connoisseur, and Other Stories, 1926. A visitor to the titular church meets its lonely verger, who gradually comes to speak of an evil presence surrounding the building. I love the oppressive atmosphere conjured throughout the tale, and the striking…

Damnable Tales: A Folk Horror Anthology - Goodreads Damnable Tales: A Folk Horror Anthology - Goodreads

Did I ever tell you how I lost my arm?” An old man recounts a childhood encounter with a sinister rural cult. Very much the archetypal Folk Horror tale, with an ancient evil bubbling under the surface of a seemingly… Finally, the spooky books have arrived ! Do doubt you'll all be recieving your copies very soon.Thanks again to the good folk at Unbound, and to everyone who supported the project. Hopefully you'll be as pleased with the finished tome as I am! I had to keep pulling myself away from it so I didn't finish it in one sitting . . . An incredible book' Annie Kapur, Vocal Media This richly illustrated anthology gathers together classic short stories from masters of supernatural fiction including M. R. James, Sheridan Le Fanu and Arthur Machen, alongside lesser-known voices in the field including Eleanor Scott and Margery Lawrence, and popular writers less bound to the horror genre, such as Thomas Hardy and E. F. Benson. A rakish cad gets his just deserts when he’s bewitched by a mysterious young woman whilst out on a country stroll. One of the lighter (and shorter) tales in the anthology, with a fun sting…

June: The Priest's Story: How Pan Came to Little Ingleton• (1926) • short story by Margery Lawrence I had to keep pulling myself away from it so I didn’t finish it in one sitting . . . An incredible book."— Annie Kapur, Vocal Media

All Hallows | Unbound

I’ve finally made a start on making the hand-bound chapbook pledge reward. As the story I’m including (‘Witch In-Grain’ by R. Murray Gilchrist) is very short, I’ve decided to include a second story by the same author –‘The Basilisk’. I think they work nicely together, a couple of late 19th century tragic romances full of folkloric doom! As with any anthology, the stories are of mixed quality. There are 23 short stories in this volume, and each is accompanied by its own newly commissioned woodcut style lino print at the beginning of each tale. The collection will feature classic stories from masters of supernatural fiction including M.R. James, Sheridan Le Fanu, and Arthur Machen, alongside lesser known voices in the field including Eleanor Scott and Margery Lawrence and popular writers less bound to the horror genre, such as Thomas Hardy and E.F. Benson. There's a good variety of folk horror here, but I'd be lying if I said that every story held my attention. Van az a pár ezer éves gondolat, hogy az ember annál boldogabb életet él, minél közelebb élhet a természethez. Körülbelül ugyanennyi ezer éves a kritikája is, de az ritkán zavarja a vágyakozókat. Akiknek adott esetben, ha elég okosan kezelik a helyzetet, akár igazuk is lehet. Sőt, még érvényes, jól működő filozófiákat is építhetnek erre a gondolatmenetre, ezt tették a romantikusok is, Atlanti-óceánon innen és túl. Ez azonban nem változtat azon, hogy a legtöbben annyit fognak fel ebből a gondolatmenetből, hogy vidéken tisztább, szebb és derűsebb az élet, az emberek mind szeretik egymást, a családtagok összetartanak, a halált és a születést egy körforgás részeként, harmóniában élik meg, az egyénieskedő elhajlásokat jótékonyan megfékezi a hagyományokon őrködő közösség, az agressziót pedig kiélik kapálás közben. Vagy ha ma nem is így van már, akkor is létezett ilyen időszak hosszú-hosszú ideig.

The Withered Arm was also a very interesting story, with almost a time travel/sensing the future paradox of the two main characters harming each other unintentionally, in ways that depend on the actions of the other... And the idea of someone having magical powers beyond their control, that others are more aware of than they are, was really well done

Damnable Tales: A Folk Horror Anthology Kindle Edition

Loved the image of the witch turning into rabbit to escape when caught stealing potion supplies, and another of the witch themed stories where the horror comes from the mob that is trying to kill a child (sadly historically accurate) for supposed witchcraft. Andy Paciorek is an author and artist working mostly within the fields of horror, folklore, Forteana and other Weird stuff. He is also the creator of the Folk Horror Revival and Urban Wyrd Projects and the associated publishing arm Wyrd Harvest Press. He has delivered talks on these subjects at numerous events and symposiums including at Cambridge University and the British Museum in London. He is one of the ‘talking heads’ on the Severin films' documentary, Woodlands Dark and Days Bewitched: A History of Folk Horror’. written in f*****g annoying Northumbrian dialect but still pretty good. i found that either reading it out loud or consciously in my head helped An ungodlyfarming community pays a hefty price after a stranger is murdered duringa drunken encounter in the wheat fields. Fire and brimstone stuff!Fresh off the printing press once more, here’s my latest lino print for Damnable Tales. This time, it’s ‘Man-Size in Marble’ by Edith Nesbit, first published in the December issue of Home Chimes magazine, 1887. A newly married couple relocate to the country (always an unwise move where Folk Horror is concerned!), and fall foul of the local legend of the shapes “that walked in their marble…



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