Blackmagic Design Pocket Cinema Camera 6K G2 Compact film camera 35 mm Black

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Please complete the form below for a quote - Please be as accurate as possible to help us give an accurate quote. Clifton Cameras is a credit broker, not a lender and is authorised and regulated by the Financial Conduct Authority (FRN728300). We do not charge you for credit broking services. We will introduce you to Finance available from a number of our partner lenders. Being able to perform stabilization in the editing suite instead of in a separate piece of software — as is the case with Sony’s cameras, where a dedicated app called Catalyst Browse must be used for stabilization — makes for a faster workflow.

Blackmagic Design Pocket Cinema Camera 6K G2 - Thomann

Josh’s comments provide an excellent alternative view to my hybrid-shooting-based video capture approach. I recognize and respect the traditional cinematographer approach to designing the BMPCC 6K G2, yet I’m aware of the competition this camera faces and the two of us discussed the cine-focus feature set in an era where autofocus is increasingly important. Resolutions: 6144 x 3456 (6K) up to 50 fps / 6144 x 2560 (6K 2.4:1) up to 60 fps / 5744 x 3024 (5.7K 17: 9) up to 60 fps / 4096 x 2160 (4K DCI) up to 60 fps / 3840 x 2160 (Ultra HD) up to 60 fps / 3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps / 2868 x 1512 (2.8K 17:9) up to 120 fps / 1920 x 1080 (HD) up to 120 fps The 6K features built-in LUTs such as Extended Video, Film to Video, Film to REC.2020 and works with industry-standard 17 and 33-point 3D LUT files.

There is no hot or cold shoe built into the camera, which is a bit unfortunate as that’s a common rigging point for mics and external monitors (although the rear LCD is wonderfully large and mitigates the need for an external monitor in many cases). Detects camera information embedded in the SDI signal including status information, frame guides, focus peaking, tally, andmore. Screen Interface Featuring a revolutionary 12K Super35mm 80megapixel sensor with generation 5color science and 14 stops of dynamic range, URSA Mini Pro 12K is designed for high end feature filmproduction. Separately, if you’re looking for a camera with autofocus, you’d be better off with something like the Panasonic S5 II or S5 IIX, the Fujifilm X-H2, or X-H2S. While the in-software stabilization of footage from the BMPCC is excellent, as with many of the top-end software-stabilized options out there, it’s impossible to know what the crop will look like until stabilization is complete.

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x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3840 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080 Every mirrorless camera on the market offers continual autofocus in video mode. While some systems are more successful than others at pulling off fast video focus, they all do surprisingly well, especially with human subjects. The BMPCC is still in the manual-focus-pull era of cinematography. A lot of video and cinema content is still created using manual focusing lenses, but having autofocus you rarely use is better than having none. Designed as the most advanced ultra portable studio camera, this model has the features of the Studio Camera4KG2 Pro model plus alarger 6K sensor, EF lens mount and remote controllable NDfilters.

Iris wheel and touchscreen slider for manual aperture adjustments of electronically controllable lenses / Iris button for instant automatic aperture adjustments of compatible lenses If you’re already familiar with the original BMPCC 6K, you may already know all the basic specs that carry over to the G2. But just in case you need a refresher, here’s a recap: